Homepage

Enders Analysis provides a subscription research service covering the media, entertainment, mobile and fixed telecommunications industries in Europe, with a special focus on new technologies and media.

Our research is independent and evidence-based, covering all sides of the market: consumers, leading companies, industry trends, forecasts and public policy & regulation. A complete list of our research can be found here.

 

Rigorous Fearless Independent

This report is free to access.

Climate change is again a core theme of this year’s Media and Telecoms 2023 & Beyond Conference, as it has been since 2021 when the UK hosted COP26.

Published in March 2023, the IPCC's Sixth Assessment Report points to alarming warming trends due to rising greenhouse gas (GHG) emissions. Echoing the messaging of COP26 and COP27, the IPCC implores signatories: “Emissions should be decreasing by now and will need to be cut by almost half by 2030, if warming is to be limited to 1.5°C.” With many governments stymied by short-term political exigencies, it is businesses and people that must harbour the ambition for net zero that our planet requires. 

This year’s report highlights the climate change initiatives of TMT companies to decarbonise operations, and their society-leading role towards the environment. Media businesses are mobilising their touchpoints with their audiences—from news, to magazines, to audio-visual productions such as films, TV programmes, games and advertising—to inform and win over hearts and minds in favour of climate action. Case studies of the Guardian, WPP, Ad Net Zero, Bertelsmann, Vivendi, Sky, BT Group, and Virgin Media O2 provide best practice learnings.

RedBird IMI will sell its claim to own the Telegraph Media Group (TMG) due to the public interest test it was set to fail, with the Spectator also back on the block
 

TMG surpassed a declared goal of 1 million subscribers by the end of 2023, motivating our forecast of 4% revenue growth for FY2023 to reach £265 million
 

The buyer of the Telegraph is likely to face an intervention on public interest grounds from the Secretary of State—a hurdle that could dissuade many bidders
 

Niamh Burns, a senior analyst at Enders Analysis, said an agreement was bound to be reached ultimately because the presence of UMG content on the platform suited both sides.

“TikTok’s content is way more engaging when it comes with a good music catalogue,” she said. “On the other side, the promotional benefits to UMG and its artists of being on TikTok are clear. You can see that in how Taylor Swift decided unilaterally to return to the platform before her new album was released.”

In part the title was vulnerable because of its very nature as a digest of diverse content, says Abi Watson, a senior research analyst at media specialists Enders Analysis. In the digital media revolution, she says, “the brands and the magazines that have done well tend to be those that are specialist” – what she terms a “flight to niche” content.

A bigger challenge for Reader’s Digest, however, was the ageing, decidedly analogue demographic of its readership. It’s not impossible to survive with older readers, says Watson, but you do need to keep finding new ones as, put bluntly, they die off. “Because Reader’s Digest didn’t have a particularly strong digital presence, they’re not refreshing that audience. So they lost that input at the top of the funnel.”

Niamh Burns, a senior research analyst at Enders Analysis, said the FT’s “high-quality” content would be attractive to OpenAI and improve its chatbot’s responses.

“Its material will be of real value to OpenAI for powering a chatbot that can output accurate, high-quality responses to user queries needing up-to-date information,” she said. “The FT’s product and brand strength also means that it is among the most insulated from any substitution risk that comes with AI products gaining steam among users.”

“I can see Amazon taking an interest because it’s much more willing to experiment than, say, Apple, and TikTok’s push into shopping would give Amazon a world of possible integrations,” said Jamie MacEwan, senior research analyst at Enders Analysis.

Even MacEwan said he doesn’t think Project Texas is a strong enough argument for why Oracle should be considered.

“It [Oracle] will struggle with the business-critical aspects, like ensuring a clean technical and operational separation from ByteDance,” MacEwan said. “And then whether TikTok needs to rebuild the algorithm or is allowed to transfer critical technology from ByteDance, you really need a strategic corporate buyer to make that a successful transition. Otherwise it’s TikTok going it alone – which also runs into the trust issue of are they truly shutting down all the backdoors as they transfer systems to the US? Either way, it will take years to get right.”

With traffic from Facebook and X to news publishers’ destinations in decline, distribution is shifting to other platforms where they have more control, such as feeds served on WhatsApp and newsletters on LinkedIn

There is no one silver bullet platform to replace Facebook, on which certain publishers became overly reliant, or X. News publishers are trying out a myriad of platforms to see which work best for the specific audiences and use-cases they are cultivating

WhatsApp and LinkedIn are still platforms that are mediated for news publishers, so risks remain. These platforms have highly differentiated alignment with the needs of enterprises producing journalism