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Enders Analysis provides a subscription research service covering the media, entertainment, mobile and fixed telecommunications industries in Europe, with a special focus on new technologies and media.
Our research is independent and evidence-based, covering all sides of the market: consumers, leading companies, industry trends, forecasts and public policy & regulation. A complete list of our research can be found here
Enders TMT Leaders Live conference 2026
Join our conversation on the outlook for the media, telecoms and tech industries
4th June 2026 | Convene, 133 Houndsditch

Enders Analysis was mentioned in the Financial Times on "It was billed as effortless London luxury. Then tenants found out the rules"
3 September 2026Residents balked at the short notice, the inability to choose their own internet provider and the price. Average entry-level broadband prices in the UK are about £25 a month, according to Enders Analysis.
James Barford was quoted in the Financial Times on "VodafoneThree to launch debut TV service in challenge to UK rivals"
3 September 2026BT’s annual TV customer growth is now about 4 per cent, while heavily indebted Virgin Media O2’s TV customer base is declining by roughly 4 per cent a year, according to estimates from Enders Analysis. Sky does not publish any TV customer figures.
“These types of packages can appeal to certain types of broadband customers who want the simplicity of bundled services [without paying for] the full Sky bundle,” said James Barford, director of telecoms at Enders Analysis, who cited the growth of BT’s TV business, EE TV, as evidence.
“Reaching a $1bn run rate so quickly is impressive by any measure, and this is with official launches still being very fresh in most top-10 ad markets like Western Europe and Japan,” Jamie McEwan, a senior media analyst at media research service Enders Analysis told The Media Leader.
He noted, however, that the announcement has been received with “mixed reactions” by the advertising industry. While the $1bn figure is a significant demonstration of OpenAI’s rapid scaling of ChatGPT’s ad model and advertiser demand for AI chatbots more generally, it is still a modest figure relative to other tech platforms, and according to McEwan, “it now seems certain that OpenAI will miss its advertising revenue target for 2026 by quite a way, right when Anthropic has been overperforming.”
Ben Woods was quoted in Business Insider on "Good Good's brand has been battered by an ad fiasco, but there's a path forward"
3 September 2026"It could prompt some brands and their agencies to reassess where they draw the line between creative freedom and oversight, with greater scrutiny of creators and more checks around creative sign-off," said Ben Woods, head of creator economy at Enders Analysis.
Enders Analysis was quoted in Deadline on "BBC Presenter Amol Rajan Says Broadcaster Is “Screwed” Unless Funding “Emergency” Is Fixed"
3 September 2026“A recent Enders Analysis report showed that licence fee income has fallen by 28% in the past 15 years. The BBC has cut costs by 15%. It’s found £1.5 billion in savings, and is on target to find another £500 million. Revenues tumbling; costs rising. This equation cannot last. You cannot cut your way to growth.
Claire Holubowskyj was quoted in Europe Says on "Discord adds lower funnel with outcomes push"
3 September 2026“The most interesting feature of Play Quest+ is the ability to plug into advertisers’ own ecosystems, enabling better conversion data and allowing users to collect rewards in-game rather than simply for use on Discord itself,” said Claire Holubowskyj, senior research analyst at Enders Analysis. “External integrations target growth on both sides: from IP-motivated users that can benefit from more attractive in-game rewards, and from advertisers who can integrate into Discord’s formats more seamlessly — previously a particular challenge for growing interactive ad formats.”
Ben Woods was quoted in PRovoke Media on "Disney Is Rethinking The Rules Of Fandom. Should Communicators Do The Same?"
3 September 2026Creator economy analyst Ben Woods at technology, media and telecoms insights firm Enders Analysis sees the future as less a transfer of ownership from one function to another than a sharing of responsibility: “I think responsibility is becoming more shared rather than simply moving from communications to another department,” he told PRovoke Media.
“A creator might promote a new release, make content around an existing franchise, host a podcast or even produce programming that appears on a streaming service. Different parts of the business will therefore have different reasons for working with them.
“The important thing is having checks and balances around those decisions. Content teams might know who can make something audiences want to watch, while marketing and social teams understand who can reach and engage the right audiences. Communications can bring another perspective: is this someone we are comfortable becoming closely associated with our brand?”
Ben Woods was quoted in Les Echos on "Amazon, Netflix, Disney+... Why sports are becoming the new black gold of streaming"
3 September 2026But when it comes to sports, YouTube actually has a different strategy for establishing its presence: "The platform uses its army of creators," explains Ben Woods, a specialist in the creator economy at Enders Analysis. "They often have access to these major events to produce content, before the matches or live while they're commentating on them, when they're not producing podcasts on the subject."