Amazon Prime Video has also signed a deal in several territories, including France, to broadcast NBA games. French fans will therefore have access to American basketball from 2025. "This is an indication that Amazon does not intend to stop in sports and could have even more appetite in Europe," notes François Godard. According to Enders' calculations, all sports combined, Amazon will spend "at least" 3.3 billion euros on an annual basis from 2025. "The platforms are present in all the major calls for tender, particularly in the United States, becoming direct competitors of traditional broadcasters," continues Christophe Lepetit.
Joseph Teasdale, head of tech at research firm Enders Analysis, told Business Insider that the site has "always had strong, active networks of high-powered professionals talking shop," despite the fact "it has never been a billion-user social network" like Instagram or Facebook. "X's staying power is a testament to the strength and value of these networks," he said. "The president's use of the service is a good example of how X has maintained its relevance."
Alice Enders, head of research at Enders Analysis, told the BBC while streaming has become popular, "the physical format never went away, as vinyl truly shows". "In Japan, the CD+DVD is still far ahead of digital because merchandise is a key part of the j-pop live experience and establishing a history at home is the ultimate homage," she said. "HMV is not the only supplier benefitting from this resurgence of the hard copy, also seen in books."
Tom Harrington, head of TV at Enders Analysis, said: “This has been happening for a while – The Inbetweeners and Peaky Blinders both experienced it – but there are more and more shows poking through. Virality plays a factor in the recommendation algorithm, which means total engagement can accelerate very quickly.“Obviously, though, the audience has to want the show. Netflix is definitely getting better at licensing UK programming that’s in line with what its audience desires.” “Almost all the growth of engagement for Netflix in the UK is coming from older viewers, meaning its audience is heading in the direction of broadcast television’s,” said Harrington. “So we can predict even more old broadcast shows will become belated hits on Netflix.”
“Responsible platform operators should gear algorithms towards accuracy and broader perspective rather than sensationalism,” said Jamie MacEwan, senior research analyst at Enders Analysis. “Those standards should also be expected of professional media output. Without these precautions, there is always the risk that platforms and the media themselves become part of the story.”
ITV was said to be charging firms £500,000 for one 30-second slot during half-time of England games, and the cost of the advertising space alone is likely to have set Adidas back more than £5m, before Jude Bellingham, the Beetles and any ad agencies the firm worked with received a single pound. All of which, Gill Hind, director of TV at Enders Analysis, says, means a bumper payday for ITV. “Suffice to say that ITV has had a huge Euro 2024 revenue boost, up by about 25 per cent plus year on year,” she tells City A.M.
For specialists, the situation is very different from that experienced with Mediapro, which withdrew, leaving a lasting trauma in the French football. "Mediapro did not have the track record that DAZN has. In fact, its arrival is rather good news for French football because the LFP did not really have much choice. Creating its channel and starting from scratch was too risky!", judges François Godard. But the whole question is whether the streaming group will remain in the sports world for a long time. "The more countries it has, the more its value increases. I think Len Blavatnik's strategy is to reach a certain scale to sell it at some point: he can now go to Netflix or billionaires in the Middle East, to allow them to be directly a "big" player in the sector," believes François Godard. For the moment, however, no official information points in the direction of a sale. "Its shareholder is fully committed alongside DAZN for its long-term growth.
Some market-watchers are not convinced Paramount+ has a D2C future outside the U.S. “Internationally, Paramount+ does not have necessary scale to grow profitably, and the merger with Skydance does not change that,” said Enders Analysis’ Senior Media and Telecoms Analyst, Francois Godard. “The new owners need to think hard about the only viable option: going back to a wholesale model under which they sell their content to third party platforms and give up retailing directly to consumers.”