Netflix’s vice president of content for Europe, the Middle East and Africa (EMEA), Larry Tanz, dismissed that the streaming giant would not have commissioned Mr Bates Vs The Post Office, at the event, which is hosted by Enders Analysis and Deloitte at Convene Sancroft in the St Paul’s area.
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Enders Analysis was mentioned in The Independent on BBC boss supports ‘reform’ to funding of broadcaster
4 June 2025At the Media and Telecoms 2025 and Beyond Conference, from Enders Analysis and Deloitte, in London on Tuesday, Mr Davie said: “I want to justify the value that we have. I want that protected.
Later, Culture Secretary Lisa Nandy told the event she is “determined to find a way forward that works for the creative industry and creators” and technology companies after Sir Elton John and Sir Paul McCartney criticised the Government’s AI plans.
In part, this is due to the broadcasters retreating. “All kids viewing used to be with broadcasters, but they’ve taken their foot off the pedal over the last decade, more so than any other genre, because you can’t really monetise kids’ content,” says Tom Harrington of Enders Analysis. “There’s not much you can advertise against it, kids 0-4 viewing isn’t measured, and kids don’t really need new content because they love watching the same thing again and again so there’s no point commissioning 50 new episodes of Fireman Sam.”
“The kids don’t know what her politics are and if the kids watch and they’re quiet then I think that’s more powerful than probably any political belief,” says Harrington. “I would argue that you’d have to be quite a resilient person to say, well, I’m not going let the little ones watch that. I’d just prefer if they screamed for the next four hours.”
“We need to protect our national IP”, BBC boss Tim Davie told the Media & Telecoms 2025 and Beyond Conference, organized by Deloitte and Enders Analysis, in London on Tuesday. “That’s where the value is.” For example, “we need to decide if we’re going to invest in things like the World Service, which to me, is a no-brainer.”
Netflix is proudly commissioning U.K. programming with a focus on local audiences while being happy if they also end up traveling the world and becoming global hits, a top executive of the streamer told the Media & Telecoms 2025 & Beyond Conference in London, organized by Deloitte and Enders Analysis, on Tuesday.
Karen Egan, at Enders Analysis, argues that the regulatory process “was always going to be thus”.
“It’s a big move and I think the whole country needs to feel like it’s been properly thought through,” she says. “They came to the right decision and it’s good that they took their time.”
“I suppose it’s inevitable in these joint ventures that everyone’s going to be looking after their own self-interest, particularly as the final touches are put to the agreement,” says Egan.
“I imagine that [CK Hutchison] are especially nervous about being easily shunted into the background unless they’re on the front foot and protecting their interests at every opportunity.”
This report is free to access
The UK’s creative industries are a £124 billion economic powerhouse, and a major net exporter bringing British content to global audiences.
Copyright protection is core to this success, enabling control over production, distribution and monetisation to sustain this thriving creative ecosystem.
AI poses unprecedented challenges through mass scraping of copyrighted content without authorisation or compensation, and creating substitution effects that threaten established business models—making the government’s copyright consultation a critical moment for balancing innovation with creator protection.
Enders Analysis was mentioned in Reuters on "Peak data growth is a quiet win for telcos"
2 June 2025Enders’ analysts reckon some European markets may have seen annual rates of increase in mobile-data demand as low as 5% in recent quarters, though there is significant variation between countries.
Douglas McCabe, at Enders Analysis, said: “If I’m being pessimistic, [local media is] still not at the bottom — there’s still some pain ahead.”