With entry-level broadband prices in the UK standing between £20 and £25, an £11 surcharge would represent an increase of more than 50pc for some customers.

James Barford, at Enders Analysis, describes this as “quite a dramatic increase if you’re trying to spend as little money as possible”.

It’s not just young people, though. Older people who are marginal broadband users may choose to ditch their contracts and make do without.

Moreover, any decline in broadband take-up would result in what Barford brands a “doom loop”.

The TV star saw far ahead of others the dangers and risks posed to children by technology such as smartphones and the internet, according to friend and media executive Claire Enders. “She had a brilliant insight into the prevalence of abuse in an online world,” said Enders, who pointed to the introduction of the Online Safety Act in 2023 as a culmination of her campaigns over the decades. “She was able to galvanise people to act. She used her voice with utter conviction and effectiveness.”

 

Karen Egan was quoted in the FT on "BT seeks government nod for potential TalkTalk takeover"

Karen Egan said that “when companies get to the level of distress that TalkTalk appears to be in, competition concerns tend to take a back seat.”

“In this instance, the government will be more concerned about security and continuity of service for vulnerable customers,” she added.

 

Karen Egan, head of telecoms at consultancy Enders Analysis, told the BBC that TalkTalk, which had 4million customers in 2019, has become laden with debt and ‘struggled to invest’ in keeping them.

‘At the same time, the industry’s become incredibly competitive – a lot of excess market entry – and prices have collapsed,' she said.

Ms Egan said about £1billion of debt was likely to have to be written off as part of the sale process, which would be a ‘very large number for the banks to swallow’.

She added: ‘I’d be surprised if there’s actually real disruption for the TalkTalk customers. If indeed this deal with Opus Broadband goes ahead they will take over the running of the operations I would expect.’

Tom Harrington, head of television and media research company Enders Analysis, told The Media Leader “the concessions appear quite palatable for Paramount”. He noted they are mid- rather than long-term concessions, “meaning they may well have little impact on what was going to happen anyway”.

Harrington described that the terms of the settlement mean there is “little protection for longer-term studio cinema output, for which Paramount and Warner are incredibly important,” which could result in a “declining volume and breadth of films being theatrically released”, negatively impacting cinemas just at the moment the film industry is finally emerging from a post-Covid and post-writers' strike slump.